Sunday, September 24, 2017

[Mage: The Awakening 2e] The Storyteller (Horror Short)

Out of Character (OOC):
Chronicle: Mage 2: The Dethroned Queen
Venue: Mage: The Awakening 2nd Edition
Chronicle Storyteller: Jerad Sayler
Assistant Storytellers: Hannah Nyland & Alex Van Belkum


Short Horror: The Storyteller

By Rick Chillot

As seen in Mage: The Awakening 2nd Edition: The Fallen World Chronicle Anthology.  Buy it here.  Of all the Mage stories I have read, this one resonates the strongest.  What is the antagonist?  A powerful shadow spirit?  An Abyssal Intruder? Are the mages moral or horrible?

Jimmy held the warm bundle close to his body as he stepped across the soggy field. The Wilsons had moved off this land long ago, and it hadn’t been farmed since. The soil was scarred with deep ruts and pockmarks, some filled with rain from the night before. Jimmy noted the mud that was clinging to his shoes and pant legs, and for a moment he worried about how to explain it. But then he remembered that his mother and father didn’t care about that kind of thing. Not anymore.

Up ahead, at the top of a rise, he saw the curved stone wall of the old well. The ground felt a bit drier and firmer as Jimmy made his way up the slope. Mosquitoes and midges buzzed around his face. He shifted the bundle, cradling it in one arm to shoo away the insects with his free hand. He felt the
blankets move and twist, and pulled them to his chest again.

As Jimmy reached the well, a slim, rufous, four-legged animal stepped out from behind the stones. The creature’s pointed ears twitched once; it raised its angular muzzle and sniffed the air. A light breeze carried the scent of spoiled meat; the creature shook its head, pawed at the ground with one black-socked foot and raised its bushy tail.

“Fox,” Jimmy said to the animal, “Are you sure we should do this?”

Fox sat on his haunches, glanced to the right and left, taking in the barren farmland, the broken-down barn, the dirt road that led back to town. “I’ve given it a lot of thought, Jimmy,” he said. “And I’m certain it’s for the best. Don’t you trust me?”

“Sure I do.” Jimmy stepped to the edge of the well and looked over, down into the darkness. “I think it’s waking up.” He said suddenly, as the cloth bundle quivered and shook. “I think it wants to come out.”

“Hurry, Jimmy,” Fox told him. “Hurry. If it wakes and you hear its voice,
you won’t be able to do it.”

Jimmy stared at the swaddled white cloth for another moment. Then, taking a deep breath, he heaved the parcel into the well with an exaggerated grunt. He looked in and saw the bright white shape, lit by the sun, tumble into the black. He felt like he’d thrown a scrap of food into the maw of some hungry giant. At the last moment, before it was swallowed up by inky shadow, the wrappings flew apart and Jimmy could see the infant’s stubby arms and legs flailing and waving.

• • • • • • • • • • • • • • • • • • • • • • • • • • •

“You did good today, Jimmy,” Fox told him that night as he curled up at the end of Jimmy’s bed. “So I have another story for you. Do you want to hear it now?”

“Sure,” Jimmy said. He didn’t bother to whisper, because his parents never checked up on him after bedtime. Not lately, anyway.

“This one’s called:

The Bull and the Ants
There was once a large, strong bull who was mightier than any other in his herd. None of the younger, weaker, bulls ever dared challenge him. One day, the bull decided that life with the herd was boring, and so he decided to see what lay beyond the pasture. All the cows warned him not to go, and said that there were unspeakable dangers out there, and that it was much better to stay safe where they were. The bull just laughed at their fear, convinced that there could be no other animal as strong and powerful as he.

So the bull easily broke through the fence and began walking through the field beyond. He had travelled for a whole day when he heard a small voice call out to him. “Please, mighty one, do not go any further.” Looking down, the bull saw a tiny ant. “Please change your direction, O powerful bull,” said the ant, “or you may tread on me and my family.” The bull laughed. “No one tells me what to do or where to walk!” With that, he deliberately crushed the ant beneath his hoof. The bull kept walking, and every time he saw an ant he crushed it out of spite.

But then, as his powerful hoof crashed to the ground to crush another ant, his hoof broke through the turf. The bull had stepped into an anthill and now his foot was trapped. He tried to pull out, only to find his other three limbs trapped as well. As the bull snorted with rage, hundreds of ants swarmed from their holes and crawled up his legs and flanks and chest and back until his body was covered with the insects. They began to rip away his flesh, carrying bit after bit of him down into their anthills.

With his last ounce of strength, the bull turned his head and saw the broken fence, very far away now. He could just make out all the cows standing behind it, watching. And then the ants carried away his eyes.

• • • • • • • • • • • • • • • • • • • • • • • • • • •

“Babykiller!”

Jimmy was in the far corner of the schoolyard, where the asphalt was torn up, when he heard the snickers of the three older boys. They passed him by, then stopped and turned back to look at him.

“I never see this kid in church,” one was saying. “How come you don’t go to church, kid?”

“Maybe he has better things to do.”

“Maybe he’s out looking for babies to kill. Babykiller.”

“How come you call him that?” The runt of the trio asked, his voice ponderous with boredom.

“What are you, stupid? Everybody in town knows the story,” their leader answered. “His whole family are babykillers. They took his mom to the plant and they cut out her baby and hung it on a meat hook. Isn’t that right, Babykiller?”

“You’ll be sorry,” Jimmy sighed.

“What did you say?” The lead boy stepped closer; his companions scuffled their feet on the macadam as they followed. “You little fuck, what did you—“ Then the three aggressors began shaking their hands in the air, brushing at their arms and legs. Jimmy was surprised at how girlish their shrieks were as he watched the black and yellow blurs of a dozen wasps diving at their faces and hands. The boys fled in a blind panic, not looking back, falling to the ground more than once.

“Jimmy.” He already knew Fox was behind him; he didn’t turn around.

“You don’t have to go to school anymore, Jimmy. I told you that. You have more important work to do.”

• • • • • • • • • • • • • • • • • • • • • • • • • • •

That night, Jimmy lay in bed thinking about his parents. Rumors about them had been making the rounds for over a year now. His mother and father assured him there was no truth to them, but their explanations of what had really gone on were unsatisfying. They said he wasn’t old enough to understand, that he shouldn’t worry about it.

From what Jimmy had pieced together, his mother and father had been in a big argument, bigger than any they’d ever had before, right in front of everyone at the plant. And then his mother had gotten sick somehow. She tried to get to the bathroom but didn’t make it in time, and ended up bleeding all
over the floor. One schoolmate who’d taunted Jimmy about it said Jimmy’s father pushed his mother down, but Jimmy didn’t believe that.

To help himself fall asleep, Jimmy muttered one of Fox’s stories:

The Leg
Long ago there was a man who became so furious that he tore himself in half. He threw his bottom half down a deep well, where it lay in the cold dark for seven years. Then the man’s left leg couldn’t stand the loneliness anymore, so it ripped itself away from the right leg and wriggled up the side of the well like a snake. Once out of the well, the leg crawled through the countryside for days until it came across the small cottage where the leg used to live. It waited until dark and then slithered into the house.

The next morning, the man rolled over in bed and felt something cold and hairy brush up against his arm. He threw back the bed sheets and there he saw the leg, which had crawled into bed with him during the night. “What is this thing!” the man shouted.

“I’m your leg!” answered the leg. “Don’t you want me back?”

“Leg?” the main cried. “I don’t know what that is!” He grabbed the leg by the big toe and tossed it into the fire, where the leg was burned to ash. “What a disgusting and incomprehensible nightmare,” the man said to himself, using his arms to crawl into the kitchen for breakfast.

• • • • • • • • • • • • • • • • • • • • • • • • • • •

After breakfast, Jimmy was on his way up to his room when he heard his parents’ voices.

“What are we going to do with him?” His mother sounded like she was about to cry. “He just won’t go to church. People notice. They’re talking. He has to come to church with us, he has to.”

“I know,” his father was saying. “I — well, making him go to church when he doesn’t want to, that isn’t what Our Lord wants. He wants Jimmy to come to Him of his own free will.”

Jimmy gripped the top of the banister with both hands, pulling himself up. He leaned over to see his parents clearly.

“I…I know you’re right.” His mother wiped her hands on a dishtowel. “I just…I just hate all the talk.”

Jimmy watched his father lean in to kiss his mother on the cheek. But before his lips touched her skin, he stopped, holding his face a few inches from her, his lips pursed. He looked confused, blinking his eyes and taking a sudden breath. He looked like he was trying to remember what it was he was about to do. Jimmy’s mother looked equally puzzled, and after a few awkward seconds, she took a step back. His father pulled back as well, and they looked at each other, not upset, not afraid, just uncertain. Jimmy’s father shook his head, as if to wake himself from a stupor; his mother gave a little shrug. Then they nodded and went their separate ways.

Later, Fox told Jimmy he’d be away for several hours. But before he left, he shared a new story.

Grandpa’s Favorite
There was an old man who lived in a house near the edge of the world, and he had four grandchildren. Every morning they would walk to the great glass wall that separated the world from what was beyond. One day, the eldest grandchild said, “Grandpa, if I was to climb to the top of that high wall, what would I find?” 

“I don’t know,” the old man answered. “Why don’t you try it, then come back and tell us?”

So the child began to climb. They watched him for a while, until he was a small dot, and then was gone.

The next day, the child returned, and they all gathered around him. 

“Well,” they asked, “What did you find?”

“They have a thing called Light,” the child said, “but I have no eyes, so it was useless to me.” And the child fell sick and died.

The next day, as they stood by the wall, the second oldest child said, “Grandpa, if I was to climb to the top of that high wall, what would I find?”

“I don’t know,” the old man answered. “Why don’t you try it, then come back and tell us?”

So the child climbed. When the child returned on the following day, they all gathered around him. “Well,” they asked, “What did you find?”

“They have a thing called Music,” the child said. “But I have no ears, so it was useless to me.” And the child fell sick and died.

The next day, as they stood by the wall, the third oldest child said, “Grandpa, if I was to climb to the top of that high wall, what would I find?”

“I don’t know,” the old man answered. “Why don’t you try it, then come back and tell us?”

So the child climbed. When the child returned on the following day, they all gathered around him. “Well,” they asked, “What did you find?” 

“They have a thing called Time,” the child said, “But I have no clock, so it was useless to me.” And the child fell sick and died.

The next day, as they stood by the wall, the youngest child said, “Grandpa, if I was to climb to the top of that high wall, what would I find?”

“Wait,” said the old man. He went into the house and returned with an iron box. “You are my favorite grandchild,” he said, “so before you climb, take these.” He opened the box. “These are eyes, and these are ears, and this is a clock.”

The child took the eyes, the ears, and the clock. And then, for the first time, he saw his grandfather, and heard his grandfather’s voice, and knew how long they’d been living in the house at the edge of the world. And he screamed in horror and tore himself to shreds.

• • • • • • • • • • • • • • • • • • • • • • • • • • •

“Is someone there?”

The voice was so soft that Jimmy wondered, at first, if he’d imagined it. He stood still for a minute, listening. The room was dim, even with the sunlight that found its way through the narrow basement window he’d pushed open. The voice did not repeat itself, but seemed to Jimmy that the voice waited behind the only door in the room.

He knew that Fox wouldn’t like him coming here to see the Magician. Fox seemed to regret ever mentioning the Magician. But Fox had let enough details slip for Jimmy to find this place, a long-abandoned farmhouse across the road from the plant. “You can’t trust a magician, Jimmy,” Fox had told him. “All magicians are liars. And when magicians lie, their lies become real.”

Jimmy considered turning back, but he didn’t relish the thought of going outside so soon, smelling that carrion stink, or hearing the awful shrieks and the insect noises that drifted on the wind. So he approached the door and reminded himself of Fox’s warnings concerning magicians. Not to trust them, not to tell them your name, not to give them anything of yours, not to let them look into your eyes or touch you.

The door made no sound as Jimmy pushed it open. A few flies whirled around his head and sped off. The cage that the Magician was lying in looked just like the large dog kennels Jimmy had seen once at the state fair. This room had a light on, a bare bulb that hung from the ceiling and made shadows along the walls and floor. Jimmy stepped into the room and squinted at the figure lying in the cage. The Magician’s form was mostly covered by a dark blanket or sheet. Jimmy could only see the vague outlines of a body beneath, and a thin-fingered hand jutting past the blanket’s edge.

Jimmy cleared his throat.

“Is…Someone…there?” The Magician’s voice was faint, and not as deep as Jimmy had expected. He took one step closer, just as the Magician rolled over and the sheet fell away to reveal a face.

“Come closer,” the voice said. Jimmy didn’t move. He was staring at the Magician’s narrow chin and pale cheeks. It was a woman’s face, he realized, and a woman’s voice.

“Who…” the Magician whispered, sitting up slowly, wrapping the blanket around her shoulders.

“Who is it?”

“I’m…I’m…” Jimmy wasn’t sure what to say. He’d been looking into her eyes, contrary to Fox’s warning. But it didn’t seem to matter; the lady’s eyes were half-closed and distant, as if she were in a trance.

“Don’t be afraid,” she said to him. She was young, Jimmy realized, younger than his mother, younger than some of his teachers. Her hair was brown and reached to the bottom of her ears and was very messy, as if she’d been sick in bed for a week. Her lips looked dry and cracked. She stared at Jimmy as if she couldn’t see him properly.

Then her eyes widened a bit.

“I need help,” she said, not quite looking at him.

Jimmy considered this for a moment. Then he said, “Fox says it wants to eat you.”

“Fox…Something attacked me. It looked like a fox.”

“Why don’t you just magic yourself out of here?” Jimmy glanced back at the door, making sure it was still open. He’d forgotten the questions he’d been planning to ask, the questions about his parents and how to get them back to normal.

The Magician didn’t answer right away. She seemed to sag a bit beneath the sheet; her shoulders slumped and she wasn’t sitting up as straight. “What’s your name?” She asked.

Jimmy just shook his head, slowly.

“Look…There’s something you should know. There’s something around here. From…Somewhere else.” She rubbed her eyes. “I can’t concentrate…”

For a moment, she seemed to shake off her stupor.

“Listen,” she said, more urgently now, “you have to listen to me.”

“I already know all about it,” Jimmy said to her. “And it’s too late for you to do anything.”

He’d made a mistake, he realized. He’d come to ask for some way to fix things, a way that didn’t involve doing what Fox wanted him to do. But the Magician couldn’t help him. She couldn’t do anything. Jimmy sat down on the floor. Despite his disappointment, he felt like he should do something for her.

So he began to recite one of Fox’s stories.

The Mannequin in the Closet
There was a girl whose parents died when she was young, so she was sent to live with her aunt, who was a dressmaker, and her uncle, who was a tailor. The girl spent every day alone in the house while her aunt and uncle were working in their shop. They had told her that she was welcome to play anywhere in the whole house, but that she was never to open the closet door next to the big chest of drawers, up in the highest room of the attic.

Soon enough, she’d explored every nook and cranny in the house several times over, and her curiosity go the best of her. She decided that she had to see what was in that attic closet. She climbed three flights of stairs, entered the attic, stood in front of the door, closed her eyes tight and then turned the knob. 

When the door was open, she opened her eyes and saw two eyes looking right back at her. Leaning inside the closet was a mannequin, the same size as her, with glass eyes as blue as hers and blond hair as gold as hers and wearing a pretty dress just like hers. The little girl shrieked and turned and dashed for the attic staircase.

As she ran, she could hear the steady patter of footsteps following after.

She ran down the stairs, and behind her she could hear every step creak in turn. She ran into the parlor, closing the door behind her, and as she reached the kitchen she could hear the parlor door opening again, and as she exited the kitchen she heard behind her the slapping of feet against the kitchen tiles. She ran around to the back stairway and up to the second floor hall. She ran into her bedroom and slid beneath the big four-poster bed.

From her hiding place, she heard the kitchen door fly open, and then the sound of footsteps coming up the back stairway, and then the pitter-patter of footfalls coming toward the bedroom. Then she had an idea. She fled the bedroom and ran up the attic stairs and dashed into the closet and slammed the door closed. She crouched down in the darkness and gripped the doorknob with both hands and pulled the door as tight as she could. She heard the attic door open, and heard footsteps coming closer to her, and closer and closer. And then they stopped. The little girl heard a voice, and it said:

“You nasty mannequin. You won’t get out of that closet ever again.”

And then she heard the sound of the big chest of drawers being pushed tight against the closet door, and the attic door closing, and footsteps fading away down the attic stairs.

• • • • • • • • • • • • • • • • • • • • • • • • • • •

After the story, Jimmy rose. “You can tell me a story if you want to.”

“What…Would you like to hear?”

“Tell me about the day you came to town.”

He didn’t expect her to comply, but she began talking. “I was exploring. With my mind, with my senses, with my body. I explored in every way I knew how. First I heard the cry of an infant, echoing through time. So I retrieved it from the bottom of a well, but it wasn’t an infant. Not anymore. It was just…  Flesh. Shaped like a baby, wearing its clothing…Animate, but not alive. Its head was like a mass of ground beef, squirming like worms….

“Then I went into the school. All the classrooms were empty. All the children and teachers were gathered in the cafeteria, sitting at the long tables, silent, staring. There were…heaps of bloody, butchered meat, piled on the tables. Every so often, someone reached over and ripped off a piece. They’d put it in their mouth and chew, not even brushing the flies and maggots off first. At three o’clock a bell rings, everyone springs to life, running and laughing and unaware of what they’d been doing….

“Then something took hold of my mind, and it pulled me…down a long, steel-plated hallway, marked with rust-colored handprints. It became narrower and narrower, and at the end...hooks and chains, the smell of rot, flies crawling on lips and eyelids. Decapitated cows wandering listlessly, the stumps of their severed heads opening and closing like mouths, vomiting clouds of horseflies and hornets.

And the kill floor, strewn with fingers and toes. And…a faceless mound, marbled pink, white. The fleshy pile, ragged, raw muscle and gristle and grease…it rears and unfolds itself into a vast maw…and the people walk in…a soft lipless mouth, rows of maggots hanging like teeth, a long throat that stretches into infinity…”

“Tell what you did then.” It was Fox’s voice. Jimmy jumped to his feet, opened his mouth to explain what he was doing there, but Fox interrupted.

“Go ahead, Juna. Tell what you did then.”

“It was horrible. I….”

“You offered yourself to It, didn’t you? Offered yourself to the Meat God, the King of Flies, the Flesh that Devours. Begged it for power in exchange for service. Am I wrong?” It was the first time Jimmy had ever heard Fox sound angry.

“I….”

“Admit it.” Fox paced around the cage as he spoke. “You expected this entity to be something you could bargain with. Something you could outwit. Something you could trade favors with, a fast track to knowledge and strength if you didn’t mind getting your hands dirty.”

“All right. Yes. But it’s different now.” The Magician’s voice was stronger, steadier. She didn’t seem half-asleep anymore.

“Is it?”

“Yes! I saw the thing. I felt its…its breath on my soul. My God…I fouled myself and maybe I’ll always be tainted, but all I want now is to send that abortion back where it came from. I’ll fight it to the end. I’ll fight it. Just give me a chance.” She staggered to her feet, gripped the mesh of the cage.

Fox looked at Jimmy. “I put her here because this place is so close to the Meat God that magic is difficult to make,” he said “but she can’t stay for much longer, or the thing will sense her presence.”

Jimmy nodded, not sure he understood. “Our options are few and we could use the help. This is your
town, Jimmy. Your people. What do you think? Can we trust her ?”

He wanted to say he didn’t know. No adult had ever invited him to participate in one of their arguments before. He looked at the Magician, barely able to hold herself upright. Humbled, defeated, eyes downcast. And she reminded him of himself. Of how beaten he felt after the local bullies had their fun with him, how shamed he felt when his mother and father brushed his fears and aspirations aside like crumbs. How foolish he felt when his teachers sent him back to his desk, after he’d failed miserably to solve some math problem at the blackboard. He knew that feeling, and he knew it came with a determination to never make the same mistake again.

“Yes. I think…yes.”

Fox stared at Jimmy for seemed like a long while. Then Fox’s left ear twitched. “All right then,” he said. “She and I need to talk. I’ll see you at home.”

• • • • • • • • • • • • • • • • • • • • • • • • • • •

When he got to the house, Jimmy hopped off his bike before it came to a full stop. He slowed down as he entered, catching the screen door so it wouldn’t slam shut behind him. He didn’t expect his mother to be waiting in the living room. He’d imagined that he would slip inside, grab a few important things and slip out again. But when he saw her he couldn’t keep himself from approaching.

“Mom,” he said, his voice cracking, “I need to tell you something….” His mother looked at him quizzically. She was holding a bag of trash; something was leaking out of the bottom and creating a dark stain on the carpet. She didn’t seem to notice.

“Mom,” Jimmy said, “I have to go away. I have to leave town because Fox wants me to do something that I don’t want to and…well, I wanted to say…remember last year when you and Dad said I’d be having a little brother or sister soon? Remember? And I got mad and said I didn’t want it and I ran out of the house? Well, I…” He sniffed. “I wanted to say I’m sorry. I’m sorry. I really am. I—“

She dropped the bag, crossed her arms. “You’re the one they talk about in the hotbox,” she said, “aren’t you? The boy who won’t go to Meat Church? What was your name again? No, names don’t matter anymore.”

“Mom?” He rubbed the tears from his eyes.

His father entered the room. “Oh. Have we met. And you — you live here, too?”

She blinked at him. “Yes. It doesn’t matter. Today’s the day. We all become It.”

“That’s the boy.” His father stood next to his mother. They didn’t look at each other, they looked only at him. “That’s the one we need to bring. The one that Our Lord of Butchered Flesh has been waiting for.”

They moved toward him, calmly, patiently, and a pink, watery liquid was dripping from their hands. Even as Jimmy ran out the door, climbed shakily onto his bike, he was wondering if he could ever forget the putrid stink of the juices dribbling from his parent’s fingers.

• • • • • • • • • • • • • • • • • • • • • • • • • • •

The metal hallway leading into the Processing Center was very long, and its plated walls made sounds bounce around at odd angles. There was a faint humming that sounded almost like music.

“Wait,” Jimmy said.

Fox stopped walking. “Do you want one more story, then, before you do what has to be done?”

“Yes. Yeah, just one more, please.”

“ All right then. This one is called:

The Whispers in the Alley
Once there was a boy named Jimmy. Jimmy’s father was the manager at a meatpacking plant, and his mother was in charge of the plant’s finances. Jimmy was very unhappy because it seemed as if his mother and father didn’t like each other anymore, and didn’t like him, either. After school, Jimmy would ride his bike to the edge of town where his parents worked, and try to imagine what his parents were doing inside.

One day, Jimmy was coasting alongside the chain link fence in the back of the plant, when he thought he heard someone calling his name. He stopped his bike and walked up to the fence. And then he heard it again: “Jimmy…” 

It was a faint voice, not much more than a whisper. It seemed to be coming from the other side of the fence, where there was an alley between two of the plant’s larger buildings.

“Jimmy....”

There was a gap in the fence where someone had once cut through some of the links. Jimmy was able to separate the edges and slip through.

“Jimmy....”

Jimmy followed the sound of the voice, walking slowly down the alley, holding his hand over his nose and mouth because of the stink. At the far end was a kind of loading dock, and a long row of Dumpsters and a huge pile of sagging trash bags. Jimmy walked closer, following the whispers. He found a small green trash bag toward the bottom of the pile, with grease and blood spots all over it.

“In here, Jimmy,” whispered the voice, and Jimmy could see the bag move as the thing inside it spoke. “Help me.”

“Where did you come from?” Jimmy asked the bag, crouching down to hear it more clearly.

“I was born, same as you,” said the thing. “But I was born alone, with no one to talk to. If you’ll be my friend, and tell me stories, I’ll do great favors for you.”

So Jimmy brought the bag home. The thing asked many questions, and Jimmy told it how unhappy he was. The thing in the bag said it could make Jimmy happy again, that it could make his parents forget about being mad all the time. It told Jimmy to untie the bag and reach inside, and he did. He only
put the tips of his fingers in and immediately Jimmy felt something cold and wet. He yanked his hand out and saw, stuck to his little finger, the tiniest bit of raw, greasy meat.

“Feed this to your parents,” the thing in the bag told him, “and they won’t be angry anymore.”

Jimmy thought and thought about this, and decided he would bury the meat, and then take the thing to the river and throw it in. But when his father got home he shouted at Jimmy for not putting away his bike, and when his mother got home she yelled at his father for something Jimmy couldn’t understand, and two of them began their usual argument about someone called “Miss Carey” and Jimmy decided he’d do what the thing in the bag said after all. So he dropped the little bit of meat into the Crock-Pot where dinner was simmering. Neither his mother nor father seemed to notice anything different about the meal. Jimmy wasn’t hungry, so he threw away his food when nobody
was looking.

The next morning, Jimmy came down to breakfast to see his mother and father sitting at the table. For the first time in as long as he could remember, they were talking to each other in calm, polite tones. This seemed like a miracle to him. But then he noticed that every so often his mother would look at his father with a strange expression on her face, as if she wasn’t sure who he was. And he caught his father, now and again, with the same expression. This scared Jimmy. So that night he took the bag back to the alley at the meatpacking plant and tossed it into one of the Dumpsters. And as the bag fell, it kept whispering “Jimmy, Jimmy, Jimmy....”

But that wasn’t the end of the story, Because the thing in the bag had grown stronger on what it had taken from Jimmy’s parents. It found others, and tricked them, and they fed on its flesh, it fed on their spirits. Soon it had emptied several people of their memories, their stories, the things that made them who they were. And then it had slaves that carried it deep into the plant, and they brought more people to taste its offerings; any who were able to resist got chopped into pieces and fed raw to the Meat. And it grew stronger and bigger, and soon everyone in town was feeding on it, and it was feeding on everyone.

Everyone except Jimmy. Because Jimmy’s friend Fox had come to town. And he protected Jimmy from the Meat. In the end, it would be up to Jimmy, who had been first to feed the meat, to kill the thing. Fox had figured out a way to do it. But they had to do it soon, because the Meat had found a way to grow little bits of itself inside the people whose minds it had hollowed out. The Meat had tried it first with the body of a little baby, changing it into something the Meat could understand. Soon it would do the same to all its slaves. And then the Meat would have hundreds of bodies and would be unstoppable. 

“And now the time has come,” Fox finished.

“Are you really the same Fox I used to talk to when I was a little kid?”

“Does that matter?”

“I guess not.” The echoing chorus of flies and flying insects was louder now. “I think I’m ready.”

“I would do it if I could,” Fox said. “But I’m a magician . My stories are too strong, they would make that thing too powerful, make it unbeatable.”

“Sure,” Jimmy replied. They had reached the end of the line. Jimmy stopped at the door. “Will I see my parents again?”

“I’m not certain,” Fox said. “But everything that made your parents who they were is inside the Meat.” Fox didn’t look like a fox anymore; he was a tall man with red hair, dressed something like a cowboy, in a long reddish-brown duster coat and wide-brimmed hat. He had a pistol holstered on each hip. The lady magician walked next to him, alert and self-assured now, looking something like a nurse because she was dressed all in white.

Jimmy said, “I can feel them in there.” He bent down to grab the handle, then stood up, raising the gate. It slid upwards like a garage door. “Can you come in the room with me?”

Fox shook his head. “Once things get going, the Meat will call on its servants to defend it,” Fox said. “Juna and I will have to stay out here to keep them from getting to you.”

“Oh. All right.” Jimmy raised the door until it was just higher than his head. Juna knelt next to him, placed a hand on his shoulder. “Jimmy,” she said, “I’ll go in with you if you want me to.” Behind her, Fox crossed his arms and frowned.

Jimmy looked into her eyes. “No,” he said. “I didn’t think I could do this. I was going to run away today.”

“Why didn’t you?” She asked him.

He licked his lips. “I thought…I thought if I run, I’ll never be able to stop running. And always…in my head, I’ll always carry everything that happened here, without knowing how it all ends.”

“That’s my boy,” Fox whispered. He laid a hand on Jimmy’s other shoulder, gave it a squeeze. Then the two adults stepped back. “Good luck, Jimmy.” Fox said. “I know you can do it. I’m proud of you.”

Jimmy walked through the gateway. The door slid closed, softly, after he passed.

He didn’t hear what they said next:

“Does he stand a chance?” Juna retrieved a palm-sized mirror from her pocket as she asked.

“Of surviving? No. The thing will swallow him whole. That’s what I’m counting on.”

“You are?”

“I’ve been preparing him for weeks. Seeding his mind with stories. Special stories, carrying subliminal engrams to traumatize the creature with conflicting accounts of its own existence. I crafted them as best I could, based on what I’ve learned about its nature. It’s the best hope we’ve got. You can’t fight a thing like this conventionally—”

“Maybe,” she answered sharply. “Or maybe the time you’ve spent in this thing’s sphere of influence has warped your judgment, and you just gave it exactly what it wanted.” She held the mirror in her left hand and moved it in a slow figure-eight, frowning. “Something’s not right….”

Fox shrugged, drew his guns and cocked the triggers. “The world is just information, Juna. Stories. When you eat something, you’re making its story part of your story. When you work magic, you substitute one story for another. But we’ll have to debate all that later, if there is a later.” He handed one of the guns to Juna.

“With luck, spells will come easier once the Meat is distracted. If not….” He shrugged again. “They’re coming. It will be the housewifeflies who arrive first. Ignore their eyes and aim for the thorax.”


[Mage: The Awakening 2e] The Black Tapes: The Unsound

Out of Character (OOC):
Chronicle: Mage 2: The Dethroned Queen
Venue: Mage: The Awakening 2nd Edition
Chronicle Storyteller: Jerad Sayler
Assistant Storytellers: Hannah Nyland & Alex Van Belkum


The Black Tapes: The Unsound

The following is shamelessly taken from The Black Tapes Podcast, specifically Episode 103 (Season 1, Episode 3) by the same name.  I am establishing this as continuity in Mage: The Awakening 2nd Edition, in our Chronicle.  The characters would only know about this if they started searching around the internet for similar phenomena.  It's reminiscent of memetic viruses such as the Nemesis Continuum.

Sources:
1. The Black Tapes Podcast for the Unsound and Strand Institute.
2. The Dresden Files books/games for the Paranet
3. Hunter: The Vigil 2nd Ed for Network Zero
4. Adapted for Mage: The Awakening 2nd Edition
5. Intruders: Encounters with the Abyss sourcebook for Mage: The Awakening for the Nemesis Continuum.

The following is scraped from the Dark Web, on a compromised occult online forum used by Network Zero (several members maintain Podcasts on there)... part of the Paranet.  The Black Tapes are a collection of unsolved paranormal investigations conducted by The Strand Institute.

Subject: How would you describe the Unsound?

Princesstelephony: 
Working on some transcriptions regarding the Unsound and I always have such a hard time describing it! Anyone with a better musical vocabulary than me want to take a stab at it?

MechaSanders: 
Hmmm....I think something that references other sounds might be less than useful for people who've never heard anything.. but of course you don't want to listen to the whole thing. I'd call it something like a sound that's a bit like walking into a dark room. At first you don't notice anything, but as your eyes adjust, you start to pick out things that seem out of place, discordant things that don't make sense, even if the room is familiar. You continue to look around, seeing more and more that doesn't make sense, your sense of uneasiness growing till you turn on the lights, banishing the darkness, but still leaving you with a slight feeling of unease.

Elaine: 
If you are set on describing it I thought it sounded like a mix of whales calling, discordant guitar screeching and squealing metal-on-metal.

Unintelligiblaha:
WOOOOM WOM WOOOOOOOOM

PhantomV8: 
I have to go the Lovecraft route; don't describe it. I'd describe it as indescribable. Except, a lot wordier than that.  Aren't you worried your going to die in a year?

Theleadchipmunk: 
Yup, this. Just do something like: (FILE REMOVED)

Princesstelephony: 
Hm, I like this a lot in theory! Lovecraft. I guess I am hesitant because with transcribing, you try to not leave out any information that someone who can hear has that someone who cannot wouldn't have.  No, I am not worried about dying.

Kailisalad3:
That uncanny feeling of when two surfaces/textures that shouldn't interact brush against each other.

Jabajub0: 
It sounds like someone turning on an industrial air compressor in the basement of an aquarium filled with several possibly evil whales who have just eaten a heaping helping of squid gone bad.

Obsesswoe:
When I was trying to describe it to my friend, I used the term, if Dory was possessed and was speaking demonic whale!

MrSaxophone09: 
The enunciation of (evil, unsettling, raw sin) It's nature of to provide discomfort to the listener. If it really is a voice like (sound guy's name I can't remember), then that voice commands such raw power that we all should run and hide.  Do with that what you will.

Please excuse the typos, i'm on mobile. 😃

Hypatiakat: 
I think trying to type with a stylus on a tablet is going to be the cause of my death by stress-induced stroke, some day.

Hare-boxer2:
I like it: Unsound in text for the hearing impaired!  Lucky them.

Hypatiakat: 
Eerie, discordant sounds. :) Or weird screeching.

Princesstelephony: 
I love you guys's interesting descriptions! I guess I was more asking to describe the sound itself in terms of what you are technically hearing when it plays. I'd love some more technical descriptions of the actual sound too.

Transcript on the Unsound:
Posted by Princesstelephony, posted 23-Sept-2016

Last week I outlined some information our research team dug up regarding Dr. Strand. It concerned his wife, who went missing under mysterious circumstances during 1997. I’ll have an update on this part later in this but in the meantime... Last week, Dr. Strand left me a very intriguing message.

"Hello, Alex? It’s Richard Strand. I’d like to apologize for the other day. I’ll be up in Seattle next week and (sighs) if you’re interested, I’m bringing along another case from my collection. From the section, I believe you refer to as, “The Black Tapes.” I think you’ll find this one very interesting. Anyway I, I hope you’re well. I’ll leave my information with your producers. Take care."

Strand was right. I did find it very interesting, so I agreed to meet up.

STRAND: "I’m going to play something for you."

At this point, Strand pulled up a YouTube video on his laptop. The first voice is Dirk Abruzzi, the second Emily Dumont, two of the ghost hunting experts you’ll remember from before.

DIRK: "I had just been hired as an associate professor at Penn State Paranormal, and during our entire move from Michigan, I had a dark entity hovering above me. More than six people visually confirmed this fact. It followed me for weeks later."

EMILY: "You’ve got to be skeptical about stuff like this. Demons, really? Do you have any idea how rare a demonic incident is? It’s like .0001%. It’s very rare. We need voices of reason here."

STRAND: "In the world of paranormal investigations, these people are considered skeptics. These are the so-called “voices of reason.” There’s no room for scientific method. There’s no difference between any of these people and the ghost hunters on reality television. You are a respected journalist from one of the most respected radio programs in the world, working with you I have a national platform to renew skepticism. I think ghost stories are a lot of fun. But the problem is when people start treating the paranormal as reality, it waters down the culture, infantilizes it. At some point in the future, if religious wars don’t destroy the planet, nobody is ever going to believe society took issue with same-sex marriage or looked at the Bible as anything other than fiction. When you lose the skeptical spirit, it sets us back. Socially. And culturally."

Strand went on like this for a while. His point was clear. He wants to be the voice of reason. Or at the very least a voice for reason in a world he feels is in desperate need of such a voice. He wants to help. And he wants to use the show as a platform to provide a viewpoint counter to the majority. Counter to the believers. I think that’s a fair trade. I get to explore the Black Tapes and Strand gets his platform.

Let’s turn our attention to another kind of tape for a moment. The demo tape. When you’re a journalist in Seattle, you come across hundreds of small bands. Seattle is, after all, the birthplace of 90’s grunge rock and the home of seminal indie music label, Sub Pop. But when Richard Strand called to let me know he got a call from infamous Seattle underground rock band, Hastur Rising, it came as a bit of a surprise.

KEITH: "Hi, this is for Dr. Strand. My name is Keith Dabic. I’m the guitarist and songwriter in a band out of Seattle. You may have heard of us. Hastur Rising? Our lead singer, Jeff, died recently. I just heard you on Alex Reagan’s podcast and I was just wondering if I could speak with you about something. It’s something I think you’ll want to hear. A recording. You probably already know about it. You know, because of what you do? I think they call it… the Unsound?"

Keith Dabic. Lead guitarist and principal songwriter for popular underground hard rock band, Hastur Rising. If you’re from Seattle, you’ve heard of them. If you’re not, you may have heard of the lead singer’s violent suicide a couple of weeks ago. He hammered a knife into chest with a polo mallet. Hastur Rising was often in the news because of their ongoing conflict with the religious right. Local church groups have picketed their concerts, claiming they promote Satanism. Somebody burned down their rehearsal space in 2008, but nobody was arrested. There were reports of a live animal sacrifice at one of their concerts. But YouTube clips showed at least one incident was definitely fake. Here’s the lead singer, Jeff Wendt from an interview last year addressing that controversy.

​JEFF: "People see what they wanna see. We’re just trying to put on a show. It’s entertainment. For (bleeped)."

INTERVIEWER: "So was that a real cat you killed on stage?"

JEFF: "Killing cats is illegal and subject to prosecution in the state of Washington."

INTERVIEWER: "So that’s a no?"

JEFF: "What do you think?"

INTERVIEWER: "I don’t know. That’s why I’m asking. You don’t think that having satanic images and symbols on your album covers might be encouraging people to view your band through that lens?"

JEFF: "I’m just glad that people are looking at the album covers."

INTERVIEWER: "Even your name, Hastur Rising. Isn’t Hastur himself a Lovecraftian myth? One of the ancient ones? Also called The Unspeakable One?"

JEFF: "You’re not supposed to say his name."

INTERVIEWER: "Why is that?"

JEFF: "You’ll see."

He was charming, controversial, and talented. And last month Jeff Wendt was found dead in the garage in the house he grew up in. He was only 27.

ALEX: "So I’m guessing you have some idea of that thing he referenced? He called it The Unsound?"

STRAND: "I’ve heard of it. It’s similar to The Hum but there’s more of a mythology surrounding The Unsound."

ALEX: "I read something about The Hum on The Guardian last month. This Unsound is different?"

STRAND: "There are several sources of The Hum. All of them manmade. The Unsound however is more interesting. I first heard about it back in 2005. My assistant at the time, Travis, brought it to my attention. He would often troll the back channels of the deep web forums. He was really into conspiracy theories, which is why he joined the institute."

ALEX: "So how is The Unsound different from The Hum?"

STRAND: "It’s quite different. Experts who have studied the limited samples we have claim that the unsound is neither natural nor artificial."

ALEX: "So that rules out... What, everything?"

STRAND: "Unidentifiable. My guess is that it’s synthetic. But I can’t be sure until someone develops a more precise instrument to parse it."

ALEX: "You have no idea what it is?"

STRAND: "And this is why it’s one of, what you’re calling, the Black Tapes cases.

ALEX: "This Unsound was of special interest to your assistant?"

STRAND: "He was… obsessed really. You see the unsound comes with quite a compelling narrative. There are a number of myths that have developed around it over time. It has different names. Um, diabolica lyricasis, The Devil’s Note."

ALEX: "Can you tell us about some of these myths?"

STRAND: "Well, the most common myth is that the unsound summons or invites a demon into the world."

ALEX: "A demon?"

STRAND: "An archdemon, if I remember correctly. The Unsound is his voice, gently asking the listener to invite him into his world."

ALEX: "An archdemon with a gentle voice? That doesn’t sound all that scary."

STRAND: "Oh, there’s more."

ALEX: "Okay."

STRAND: "Everyone who hears The Unsound dies within one year of their initial exposure."

ALEX: "Now that’s scary."

STRAND: "There is an additional supporting myth from one of the Gnostic Gospels rejected by the church. In fact there are actually two oblique references to a similar sound in the Dead Sea Scrolls."

ALEX: "What’s the story?"

STRAND: "Before the time of creation, Lucifer was the angel of song, of music. Lucifer led a revolt against God and lost. You’re familiar with this mythology."

ALEX: "I’m with you so far."

STRAND: "So God banished Lucifer to hell. But on his way out of heaven, Lucifer, now referred to as Satan in this particular gospel, created some kind of musical back door as he fell into the inferno. Something sonic that would allow Satan and his minions back into the world without God knowing. This mysterious note is apparently a sound that God can’t hear. The Unsound."

ALEX: "That sounds a little… Dungeons and Dragons."

STRAND: (laughs) "So does most of the Old Testament."

ALEX: (laughs) "Okay. So, there’s this unsound that God can’t hear floating around the deep web and a bunch of audio geeks getting heavily into the Old Testament because of it? So where does the sound come from?"

STRAND: "There’s a lot of noise surrounding the Unsound’s history. There were rumors of it being a creation of the Hermetic Order of the Golden Dawn, some thought it was the Freemasons, most claim some affiliation with Aleister Crowley himself. There’s a mound of mythology tacked on to this. But well over a year of research led me to a scientific outpost in Antarctica in 1962."

ALEX: "That’s not very Illuminati, is it?"

STRAND: (laughs) "This team of scientists were there to study what later turned out to be a weakening of the Ozone layer over the Antarctic. They were recording and cataloging electromagnetic waves, their frequencies. In the process one of their instruments picked up this strange audio wave pattern. At first they thought it was a whale stranded under the ice, or the wind, or electromagnetic waves themselves, or more likely a combination of the three."

ALEX: "Did they find out?"

STRAND: (pause) "No. And they never got a chance to further their research because they all died."

ALEX: "You’re not going to tell me that they all died within a year."

STRAND: (pause) "One of them died on the base due to a Staph infection, the other four died in a mountain climbing expedition, six months after their contract ended."

ALEX: "But was this within a year of them hearing the Unsound?"

STRAND: "This isn’t demonology, it’s just bad luck and bad weather. There was a whole article in the New York Times about that horrendous mountain gearing expedition."

ALEX: "So they all died within one year of hearing the Unsound? Just like the story says? You don’t think that’s at least interesting?"

STRAND: "Not really. Every myth has its origin and Antarctica in 1962 is where the dying within a year story was born."

He got me. I was just about to tell Strand how I thought that he wasn’t open to hearing both sides. Of course a myth has to have an origin. Strand was right. His new Black Tape was very interesting and it was happening in Seattle, my own back yard.

Dr. Strand’s black tape number three contains a lot of research on the Unsound and, of course, a sample of the sound itself. I’m going to play it for you in a moment. But first, my producers have informed me that I have to read the following disclaimer: If you listen to the sound, you’re listening at your own risk. Now, I’ve heard the sound numerous times and so far I haven’t seen a single demon, but if you’re afraid or superstitious, please skip ahead ten seconds. You might want to put on headphones for this.

(Unsound Plays)

It’s interesting isn’t it? I feel like I’m hearing a different version of this thing each time that I listen. I think the closest thing that describes it is (pause) it’s the audio equivalent to seeing shapes in the clouds. Maybe everybody hears something different. Something unique to their own experience. I wanted to learn more about the possible sources of this Unsound so I went to one of the premier acoustics experts in the Pacific Northwest, Dr. Michael Pullman. Technically, he is what’s called a structural acoustician.

ALEX: "Okay, so, what am I looking at here?"

PULLMAN: "So this line measures compressional waves, this one follows shear waves."

ALEX: "That’s Dr. Pullman in his lab at the University of Washington where he teaches in the physics department."

PULLMAN: "This one follows the deformation of the wave speed."

ALEX: "Yeah, totally."

(Both laugh)

PULLMAN: "Yeah. Yeah, we’re all acoustic nerds here."

ALEX: "I sent Dr. Pullman a file with the Unsound on it to see if he could explain why it’s caused so much interest. Why there’s so much mystery generated around it."

PULLMAN: "Well, it’s an interesting sound, that’s for sure."

ALEX: "And what are you looking for?"

PULLMAN: "I’m trying to gauge a possible source. I looked at everything from structural wave radiation to flexural wave patterning, to whether it fits a vessel function for uniformity given that we know there were engines in the area where it was first recorded."

ALEX: "Okay. Let’s pretend all of that went way over my head."

PULLMAN: "All right, sorry. Um, in simple terms, what you call the Unsound behaves very much like a low frequency wave. We’re not supposed to be able to hear these frequencies, yet here it is, emitting an audible sound."

ALEX: "Hmm, Interesting."

PULLMAN: "Super interesting! What’s even more interesting is in the patterning of these waves, I’ve plotted them out here."

(Sound of typing)

PULLMAN: "So, notice these points?"

ALEX: "Yeah, they... it’s like they get smaller and then larger, over and over again."

PULLMAN: "Exactly! Like a machine. In fact, it’s so precise, it could be an engine."

ALEX: "So it’s from a generator? Or something?"

PULLMAN: "Here’s the thing. I, I believe it’s a voice."

ALEX: (pause) "A human voice?"

PULLMAN: "Maybe, I dunno for sure. But I think it’s probably organic. It behaves like a compression wave with very precise patterning."

ALEX: "Well, could it be a synthesizer?"

PULLMAN: "I think that’s highly unlikely."

ALEX: "And you’re aware of the urban legend surrounding this Unsound?"

PULLMAN: "Only what you’ve told me. I suppose now we have a year left to live?"

ALEX: "Yep."

PULLMAN: "I’m gonna stop eating kale."

ALEX: (laughs) "That’s, that’s what you’re going to stop eating?"

PULLMAN: "I hate it. (Both laugh) It’s gross! You have to put so much stuff on it…"

So that was a scientific take on the Unsound, but I wanted to hear from someone who actually believes this stuff.

DREISER: "The motif of a portal to hell goes back to the early days of the church. If you think of the universe as God’s creation, it becomes problematic when you try to locate Hell. The Book of Ephesians talks about the separation of a dark world and evil forces in the heavenly realms. We know from Ezekiel and Revelations that Satan and his agents are able to access our earthly realm. How does he get here? Why does God allow that? The problem finds something of a solution by positing a portal, a gateway between earth and Hell."

That’s Francis Dreiser. He’s what those in the field of biblical theology call a demonologist. I went to see him at Pacific Christian Academy in Southeast Washington State. He says he doesn’t actually deal with demons per se, only with the theology and history of demons in the ancient texts.


ALEX: "They didn’t teach portals to Hell in Sunday school."

DREISER: "No, they sure didn’t. But we know that there are demons who enter people’s lives, sometimes possessing their bodies. Where do these demons come from but a portal?"

ALEX: "Are these portals always open? Do you know where they are?"

DREISER: "They don’t work like doors. It’s not permanent. They’re temporal, opening for a moment and closing just as quickly. And they require a medium."

ALEX: "Like, a psychic?"

DREISER: "No. A middle man, someone to invite them into our world. Um, a believer."

ALEX: "Why would anyone do that?"

DREISER: "For centuries people have partaken in ceremonies inviting Satan and his minions into their lives. According to Revelations Chapter 12, Verse 4, Satan took one third of the angels with him from heaven. Now that’s basically an army of fallen angels. And they all want access to this world. A portal."

ALEX: "A portal? Something like the Unsound?"

DREISER: "Yes. In theory, I suppose."


ALEX: "Do you believe the Unsound is one of these portals?"

DREISER: "The unsound doesn’t exist. It’s nothing but a myth from a much-maligned translation of the Apocrypha."

ALEX: "Well, I have a recording of it."

DREISER: "Of the Unsound?"

ALEX: "Yes."

DREISER: (scoffs) "Ah, yes, that thing floating around the internet? You have a year to live after hearing it. Good fun."

ALEX: "So you don’t believe it’s possible? At all?"

DREISER: "I’ve seen too much of Satan’s power at work in the real world. I can’t see why he would have to kill you within a certain time frame. Things like this Unsound are just fuel for horror films, I’m afraid."

The irony wasn’t lost on me. A bible professor laughing at the possibility of an Unsound while talking about Satan like he was unarguably real.  

Next I spoke with Keith Dabic, the guitarist of Hastur Rising. We were at his apartment talking about the circumstances leading up to Jeff Wendt’s suicide.

ALEX: "So how did you hear about Jeff’s death?"

KEITH: "His sister. She lives in Portland."

ALEX: "Must have been hard. Your band has been together for a long time."

KEITH: "He was my best friend. It was one of the biggest shocks of my life. And yet…"

ALEX: "And yet?"

KEITH: (sighs) "Maybe it wasn’t that big of a surprise, you know? Like with all of the shit he was into?"

ALEX: "Drugs?"

KEITH: "Drugs, booze, sure. Yes, but I’m talking about the occult stuff. Black magic."

ALEX: "Weren’t you all into that stuff?"

KEITH: "Mike and Rory were into it. If Jeff said we were into it."

ALEX: "Mike and Rory, the drummer and the bassist?"

KEITH: "Yeah, but you know those guys were just tourists when it came to that stuff. Jeff was… he was serious."

ALEX: "And you?"

KEITH: "I got into that stuff early on. Crowley and the Golden Dawn. I was the one who went to the deep web and found it."

ALEX: "The Unsound?"

KEITH: "The Unsound."

ALEX: "Hastur Rising has been a part of the Seattle rock scene for almost a decade now. As I said earlier in the show, they’re a somewhat experimental hard rock band who’ve courted controversy over the years for their supposedly satanic live shows. But the way Keith tells it, it’s all just part of marketing their music. Well, for most of the band, anyway."

KEITH: "The occult stuff was a way to get ourselves out there, you know? To stand out. Like, good tunes can only take you so far with so many bands out there. You gotta find a way to break, you know? Like Maiden or Ozzy or GWAR?"

ALEX: "So the black magic was a way to brand yourselves?"

KEITH: "We do look good in black. (Both laugh) And it’s cool too! And it was interesting. Like I said, I was really into it in the beginning. And I didn’t really believe this stuff about the Devil and all that. But I was into the history and the imagery: darkness, chaos, rebellion."

ALEX: "So it was you who introduced the occult to your band mates?"

KEITH: "Yeah. They thought it was too derivative at first, but they were thinking more KISS than Sabbath. But Jeff really took to it, it was like a religious awakening to him. It was hard to treat it like a shtick when your lead singer is so... Well, thought I was into that stuff. But Jeff, Jeff took it to a whole ‘nother level."

ALEX: "So it was you who brought the Unsound to the group?"

KEITH: "Kind of, but not exactly. So about nine months ago, this dude comes up to me after a show down in Tacoma. Killer show. Dude buys me a beer and we get to talking. He’s one of those guys that reads really deep into every single lyric. Like (laughs) reading stuff that I didn’t even see in them, and I wrote half the lyrics!"

ALEX: "Well, what kind of things?"

KEITH: "Uh. Like our song Moonrider, he made some connection between the drumming cadence and the lunar calendar. It was weird. I didn’t get it but if he’s going to buy me beers, I’m going to let him keep talking."

ALEX: "And the Unsound?"

KEITH: "Dude starts telling me about this sound that Lucifer created, a sound that even God can’t hear, like it’s a secret code for Satan’s demons to coordinate themselves or something. And then he tells me about the deep web and all this crazy (bleeped) you can find. Tells me to download a Tor browser and writes down a web address. I listened to the sound when I got home."

ALEX: "And you played it for the others?"

KEITH: "Yeah, they got a real kick out of the story. I didn’t think anything of it, but like a week later, Jeff tells me I gotta come over, that he wants me to hear something."

(sounds of Keith moving around the room)

KEITH: "He played me this."

(Silence)

ALEX: "I don’t hear anything"

KEITH: "Exactly. There was nothing there. He told me that I had to try harder to hear it. He said he was experimenting with The Unsound, trying to figure out the message. He was really tweaked out, and hadn’t been sleeping at all. We were excited about our new record but Jeff had stopped everything to focus on this… sound. He was a mess."

ALEX: "Sounds like he was trying to bring the occult into the music directly."


KEITH: "He was! And it was cool at first! We thought it added a dimension to the band, but when your best friend hammers a butter knife through his chest with a polo mallet, you kind of gain a new perspective."

ALEX: "That’s when you called Dr. Strand?"

KEITH: "Right around then, yeah. We just wanted to be the next Mudhoney or Soundgarden. Maybe even Nirvana with some luck. Now I don’t know if I’m going to make it to Christmas."

ALEX: "What do you mean?"

KEITH: "(sigh) I heard the sound nine months ago. I probably only have three months left. At the most."

There’s that rumor again. You hear the sound, you die within a year. Keith sounded genuinely frightened about dying. And I have to admit. I did find this whole Unsound thing a little unnerving. It’s easy to get superstitious, I think, when presented with such a visceral sonic experience. It’s not just your imagination at this point. It’s your imagination plus one really dark, creepy, scary sound. We tried to get the other two members of Hastur Rising, Mike and Rory, to speak on the record but they politely declined. They’ve both apparently left the music industry and neither plan to return to writing or recording music anytime soon.

After I left Keith Dabic’s house, I received a call from Strand. He had just landed in Seattle and wanted to see if there were any developments in the story. Also, he spoke with Jeff Wendt’s mother. And I don’t know what I said, but apparently she was now willing to speak with us. He said he had some time tomorrow before the conference. I met him at his hotel for lunch before we were scheduled to meet Jeff Wendt’s mother.

ALEX: "So how did you talk her into an interview?"

STRAND: "Mrs. Wendt is convinced her son was somehow harmed or perhaps possessed by evil spirits. I mentioned this is something that I had a great deal of experience with, told her I’d take a look."

We met with Jeff Wendt’s mother. She’s clearly still in deep mourning. Jeff could have easily afforded his own house, but his mother told us that he liked living here, in the house he grew up in.

MRS. WENDT: "This is where we liked to watch TV. He liked crime dramas mostly."

ALEX: "Are any of your family members here with you?"

MRS. WENDT: "Jeff’s older sister, Alice, moved back down to Portland. They keep inviting me down but there’s just so much to do."

ALEX: "She took us on a quick tour of the main level of the house. She wasn’t comfortable taking us up to his room, but she did show us the garage where Jeff spent most of his time."

MRS. WENDT: "That’s his recording studio. That’s where I found him."

STRAND: "I’m sorry. That must have been awful."

MRS. WENDT: "It was. I’ll be right back."

ALEX: "Okay."

STRAND: "Of course."

She hadn’t stepped foot in the garage since she discovered her son there. Nothing had been touched. It was as if Jeff were still alive and about to walk back into his studio to pick up where he left off. There were a bunch of guitars hanging on the walls, a few keyboards set up next to a small mixing board. The computer he used for recording was still on.

STRAND: "What are you doing?"

ALEX: "He was in the middle of recording something. Do you think it’s weird that the police didn’t take his computer?"

STRAND: "Not really."

ALEX: "I think this is it."

(Rock music play)

STRAND: "This is what passes for music now? What are you doing?"

ALEX: "This is the same program we use in the studio. I’m just gonna mute some of the tracks."

(clicking with keyboard, music quiets. Unsound plays)

STRAND: "Interesting."

ALEX: "By interesting do you mean extremely dramatic and creepy?"

STRAND: "Why would he layer the Unsound underneath everything else?"

ALEX: "I know, you can’t even hear it when it’s mixed in with the rest of the instruments. (pause) Oh, wow!"

STRAND: "What?"

ALEX: "Do you see this?"

STRAND: "What am I looking at?"

ALEX: "I’m guessing you don’t illegally download music or movies."

STRAND: "I pay for music and movies just like everyone else."

ALEX: "Riiiight."

STRAND: "What is it?"

ALEX: It’s a torrent file.

STRAND: "What’s that?"

ALEX: "He’s seeding this song."

STRAND: "Seeding?"

ALEX: "Yeah, he’s, um. He’s made it available for download, for free. Anywhere in the world."

STRAND: "How many people have downloaded it?"

ALEX: "Just over six million."

So was it a demonic summoning? Was there some mystical power in the Unsound that forced Jeff Wendt to commit suicide in such a violent fashion? Did I and the more than six million people who downloaded that song have less than a year to live? Strand seems to think that it’s all easily explained.

​STRAND: Well, it’s obvious isn’t it?

ALEX: "Is it?"

STRAND: "He was a gifted yet troubled young man who didn’t seek medical attention. And it doesn’t help that his mother fed into the whole occultism."

ALEX: "What do you mean?"

STRAND: "Did you get a look upstairs? That entire second floor was a shrine to Jesus. There was some pretty violent crucifixion imagery up there. Not your basic Sunday school material either. Real Raiders of the Lost Ark type stuff."

So it’s all easily explained. The Unsound is natural but not demonic. The suicidal musician is troubled but not possessed. Sure, the Antarctic research team all died within a year in 1962 but that’s where the myth began, rather than proof of its potency. But what about Travis? You remember Travis, Strand’s assistant, obsessed with digging up strange things in the deep web? Travis who successfully tracked down the underground recording of the Unsound? I asked Strand why Travis Collinwood left his team, and Strand told me that his grant ran out. This is true. What Strand didn’t mention however, and what he may not actually know, is that Travis Collinwood died four months after leaving the Strand Institute’s employ. He was hit by a cyclist and thrown into a bus. He died instantly.



Sunday, September 17, 2017

[Mage 2: The Dethroned Queen] Magic: Hellfire

Out of Character (OOC):
Chronicle: Mage 2: The Dethroned Queen
Venue: Mage: The Awakening 2nd Edition
Chronicle Storyteller: Jerad Sayler
Assistant Storytellers: Hannah Nyland & Alex Van Belkum

Magic: Hellfire

"Since before the Breaking of the World, the use of balefire has been forbidden. The White Tower forbids us even to learn it. In the War of Power, the Forsaken and the Shadowsworn themselves used it only reluctantly."  Moiraine Damodred (Wheel of Time)

Mentioned only as flavor text of a Dark Numen and a Vestiment in the World of Darkness: Inferno sourcebook, our Chronicle has been using a version of Hellfire based on the Dresden Files since 2011.  Why?  Because its awesome, that is why!  Since then it hasn't been used much since the defeat of the Denarians (in our case, Possessed Archdemons) when the Horsmen saved the world from the rising of the Hellmenth in 2012.  It has yet to be used in our current Chronicle: Mage 2: The Dethroned Queen!

It's most important use is that it is the only destructive force capable of destroying the coins of the Denarians and annihilating the demons inside them.  It also has the distinguished power of being able to destroy objects created to be indestructible. It can destroy any known patterns of reality but has horrible costs and drawbacks.  Truly, only an insane, possessed or completely desperate mage would try to use this stuff... so of course, its going to get used.



Sources & Inspiration:
1. World of Darkness: The Inferno source book
2. The Denarians and Hellfire from Jim Butcher's The Dresden Files book series and RPG
3. Balefire from the Wheel of Time book series
4. Chronicles of Darkness: The Hurt Locker 
5. All adapted for Mage: The Awakening 2nd Edition.


Musings on Hellfire by LoreKeeper Casstiel
Hellfire is utter destruction and ruin. It is a horrible umaking. But "the will of the Infernal" is required to create Hellfire. So usually only a mage possessed by a demon or some other entity of the Lower depths can create it.  Hellfire draws on the infernal powers of down below. This is the power source that Infernals are only are only too happy to provide to their their hosts, and loyal practitioners. But Infernal demons are a very flexible lot when it comes to offering power—it’s entirely possible sorcerers exist out there that are making use of the power of hellfire simply by way of a standard soul pact. When employed, hellfire (really, hellanything, but “hellwater,” “hellspirit,” etc., don’t sound as good) is especially vicious, inflicting an extra helping of pain whenever possible. Hellfire is especially useful for someone using evocation spells and throwing around a lot of Forces. Hellfire likes to inflict pain and harm, but isn’t particularly concerned about being controlled; making it difficult to maintain in a stable working.   

Hellfire
The Ultimate Destructive Magic.
Nicknames: Baelfire, Fires of the Hellforge, Balefire, Brimstone Fire,

Hellfire is the quintessential entropic power of the Lower Depths, distilled to its most terrible form.  While other Akathartoi are theoretically able to tap into similar powers, beings of the Inferno (Infernals), are the only ones known to use this power in the Fallen World.  The power is sponsored by an entity of the Lower Depths and requires their will to call upon it.

Recap: Lower Depths - also called Abaddon, are a sphere of reality that is distanced from the Fallen World in the same manner the Fallen World is distanced from the Realms Supernal. Mages use the term to describe any realm that is neither Supernal nor Phenomenal, but is instead defined by a lack of something.  The light of magic is barely existing within its barren wastes and the ten Arcana are somewhat diminished when it comes to influence the Depths. The inhabitants of the Lower Depths, called collectively akarthartoi, are envious of those in the higher realms and feed upon Mana and souls in order to survive when unlucky fortune drives them higher.  Many Akarthartoi are extremely dangerous, able to cause instant death at the touch as they instantly consume the aspect of existence they lack.  

Recap: Infernals - come from the enigmatic domain of Hell, a place of horror and indescribable evil that even the native demons hate to exist within. This leads them to constantly attempt at escaping, while also trying to damn the souls of the living and alter the material world to fit their idea of paradise. They are representative of the Seven Deadly Sin and the vices of mankind taken to the most perverse extreme.  They serve Archdemons and the Maeljin, a court of seven Demon Lords. Infernals can also appear in the form of corrupted Goetics, Shadow spirits and Ghosts.

Recap: The Inferno - Also called Hell, is believed to be a fallen version of Pandemonium but its true form is impossible to define. No one who has traveled into Hell has ever left, and demons usually tell exactly that what their summoner wants to hear. What can be known is that it is a realm of sin and lack, seeking to possess and to take in without giving back. While Hell is distanced from this world, its influence can reach up in the form Desecrations and Malus Loci.  Hell is a place unrelated to the other realms of existence and laws that govern these realms seem to not apply to it.  It does seem to be universally ruled by vice taken to all extremes. Its inhabitants.

The Fires of Wrath
Infernal demons of Wrath burns so brightly that they seem to have the greatest affinity with fire (and hellfire). Of course every demon has the theoretical ability to summon up hellfire, but demons of Wrath do so with the greatest ease and verve. Upon taking refuge in a human soul (possession), demons of Wrath slowly extend their influence over the host body, tempering it with rage until the Possessed can withstand the heat of brimstone flames.  With preparation of the host complete, the possessing demon calls out to the Inferno’s flames and draws them to the material realm. The Possessed may then summon and command hellfire. 

The flames can be shaped according to the desires of the Possessed, taking the form of a wall of fire, a wave of rolling flames or handfuls of blazing death. Hellfire burns hotter and fiercer than any regular or naturally occurring fire and its flames are notoriously hard to extinguish.

Hellfire burns with bright greens, dark reds and creates noxious black smoke.  It smells, naturally, 

Requirements & Costs:
  • Requires Forces 3 and Death 5, uses the Practice of Unmaking.  Hellfire can be nothing less than the total destruction of the patterns it is used on.  Hellfire can be used without the requisite Arcana, but it can only be drawn by a Infernal and that means that in almost every case you would need to be Possessed and have the Hellfire Vestment.
  • This part is tricky.  In order to use Hellfire, you need to expend an Infernal willpower point to invoke sympathy with the Lower Depths.  Infernal Willpower is only used and collected by Infernals and those of the Possessed (by Infernals).  This means you either need to be possessed or you need to have a demon spend the Infernal Willpower Point on your behalf.  Such a thing would require a pact, item or some other form of entanglement with dark forces for it to work.  It may be possible to create acts of such horrid desecration that a mage could harvest Infernal Willpower from the act (requiring a Wisdom/Integrity breaking act and Mind 4).
Does this mean there is Holy Willpower attuned to the seven Heavenly Virtues?
  • Costs a mana to combine the aspects and fuel the combination of both gross and subtle powers.
  • It hurts like hell (heh).  While casting using Hellfire all other actions suffer -3 for the Agony of calling up Hellfire. (This is only for the time you are casting. If you instant cast its just until your next turn. Or as much time as you cast, making extended rituals very powerful)
  • The act of wielding Hellfire is the handling of some of the most awful stuff in creation.  It has all the utter vileness of The Inferno, combined with the raw lack of anything natural from the bowels of the Lower Depths.   As such, it is a Wisdom sin for anyone who uses it (at the level of Falling).  After a wisdom loss a mage can become Inured to using Hellfire in the usual way (if you'd want to you already need help)  However, after the mage is Inured, the first time they use Hellfire in a Scene they make an Integrity check at a -5.  On a failure they gain the Rampant or Megalomaniac Condition, to represent the fact they are now okay with wielding the powers of Hell indiscriminately.
Condition: Rampant (edited) - Your character is reckless and forceful with her magic. She will not hesitate to use it to solve any minor problem. If your character has a reasonable magical solution to a problem, to use a mundane solution requires a point of Willpower. This Willpower does not add to the dice roll. As well, she gains a “Wield Magic Indiscriminately” Obsession that replaces one of her current Obsessions so long as she maintains this Condition. Resolution: Suffer a Paradox. Beat: n/a

Condition: Megalomanical (edited) - Your character is consumed by her own aptitude. She sees greatness in her every action, and that sense of greatness breeds righteousness. She cannot see her behavior as hubris, and she refuses to acknowledge any failings. After all, she’s mastered the forces of the universe, right?  Your character automatically fails any actions using the Empathy Skill. As well, she gains an additional “Selfish” Vice and a “Dominate Others” Obsession that replaces one of her current Obsessions so long as she maintains this Condition. Resolution: Hurt someone important to you in such a way as to gain the Guilty ConditionBeat: N/A

  • Using Hellfire, pulling up a material that is actually antithetical to the Supernal Realms and the Fallen World alike, means that it makes big ripples to call down.  Mechanically, using Hellfire always risks Paradox, however the Paradox has special rules that have more to do with pulling power from the Lower Depths than dealing with the attention of the Abyss.  Absorbed Paradox (as Backlash) is instead instead taken as Burnout!
System: Burnout (Edited)
The human body was never designed to hold the kind of power wielded by the demonic entities of the Inferno. Whether humans were created by God or evolution, eventually flesh and blood begins to crumble under the onslaught of Infernal power: this is called Burnout. Rather than the slow and steady corruption of body and soul, Burnout is the direct consequence of pushing  Hellfire too hard or for too long, resulting in pain and obvious signs of demonic influence.  

If Paradox from using Hellfire is absorbed as as Backlash, it instead causes Burnout.  Tapping your pattern directly into that dark well of power is a very different experience than is focusing your will to gather it. It’s the difference between sipping a fine whiskey and chugging raw moonshine.  Eventually there comes a breaking point and his flesh begins to crack like splintered marble. Steaming blood seeps out of the cracks and runs down his body in thin lines as he screams. This causes Resistant Lethal Damage instead of the normal resistant Bashing Damage from regular paradox.

The Infernalist is paying the price in Burnout for pushing the limitations of his mortal shell too far. Most of the time, Burnout affects only the body. It manifests in painful displays flavored by the Vice shared by demon or caster. The skin of the slothful might erupt in rancid sores filled with squirming maggots. The envious might weep a bright green viscous fluid that burns like acid and the lustful might moan with pain and pleasure as unseen whips flay flesh from bone.

Burnout can also affect the will of the Infernalist.  Instead of an outward display, the Infernal power corrupts internally, eating away at the very tenacity that keeps them alive. These wounds are just as deep and painful as physical torments and the mental scars never quite heal. 

Any Paradox not successfully taken as Burnout damage (Resistant Lethal) instead inflicts nasty derangement or deformity Conditions (follow rules for Branding and Bedlam with an Infernal and extreme Vice flavor.  If released, it creates similar Paradox effects as before but flavored by the demonic.  See the risks and costs for more on what bad stuff happens...

Yantras for calling Hellfire: Invoking the Malapraxis on the demon patron providing the Infernal Willpower of the Vice of the Infernalist.  Acts and Yantras associated with Wrath always work as good Yantras for Hellfire.

System: Malapraxis
From the lowliest Whisperer to the greatest Dominion, every demon has at least one Malapraxis: a manifestation of a Vice that is the core of its corrupt being. Demons feed upon human evil, but their own Malapraxes are particular delicacies. Mystics postulate that every action and object in the world has its own secret flavor, a “resonance” that is the food of all
spirit-beings. The object of a Malapraxis is the subtle vibration that cleaves closest to the demon’s true essence. A Malapraxis has two elements: the Vice and the Key.

Vice: Choose one Vice, usually these are aligned to flavors (sub-vices) of the Seven Deadly Sins:  Envy, Gluttony, Greed, Lust, Pride, Sloth or Wrath.

Key: The Key is an additional condition that mandates how the Vice is expressed. It can be a social situation, a type of object—almost anything a sinner could use, or experience when he acts upon the Vice. Examples: An Element, a chosen social construct, a common material or technology, a natural phenomena, etc.

Benefits:
  • Damage: Can hit all entities in Twilight as well as physical beings. It inflicts Aggravated damage to everything.  Everything.  Which means it also ignores Armor and Durability with equal in discrimination.  As with all Aggravated damage, this has the potential to inflict long-term conditions and ailments such as the loss of senses or limbs.
  • Bane: Counts as a Bane to Supernal Beings and the Qashmallim
  • Infusion: Hellfire, despite its omnipotent ability to destroy, can be used to "supercharge" phenomenon derived from them.  Constructs, spells and beings infused with Hellfire take an a ashen color with the texture of baked clay, with painful cracks.  The potency of the spell applies Resistant Lethal damage to the subject but also provides a dice bonus of the same amount.  With spells this means it reduces the potency of the spell (for dispelling purposes) while boosting its effectiveness (effective potency).  The target can also be made to suffer the Burnout the caster may invoke.
  • Thaumaturgy: Hellfire in inherently unstable and using it for extended castings thaumatological workings is extremely difficult and suffer a penalty equal to their targeted potency. 
  • The fire counts as a unholy or desecrated  (per The Inferno).  It is supernatural destruction, not Fraying or Unraveling but the obliteration of the Patterns of the things it touches.

Reach Options:
  • +1 Reach: On a successful cast/hit it inflicted Condition: If the potency of the spell exceeds the Stamina or Rank of the target, the caster can inflict a number of Personal Tilts equal to the remaining Potency.  Alternatively, the caster can inflict Environmental Tilts on the area such as Extreme Heat and Burning.  With another Reach and a Mana the Personal Tilts become Persistent Conditions (Injuries that never heal right, limbs, eyes and ears that never heal back) as per the Hurt Locker pg 57.  
  • +1 Reach: For the cost of an additional Mana, the damage done is Resistant Aggravated, having to be healed naturally.
  • +1 Reach: The Hell will also ignite flammable objects in the scene.  Things lit by Hellfire cannot be extinguished through mundane means until the spell's duration expires.  The fire spreads out of control in a short amount of time.
Tip: A common use for this spell is to advance the duration of the spell so that the entity continues to burn and take damage every round.  Hellfire is extremely difficult to extinguish without magical means so the target continues to burn.  Given a little bit of time anything can be reduced to fine powder and black shadows against concrete.
  • +1 Reach: The fire also burns up whatever the supernatural fuel source the target uses, destroying the reserve of power equal to the potency of the spell.
  • +1 Reach: Hellfire Infusion is used on a subject, the subject is stoked with hatred and fueled by cruelty, Wrath takes on a life of its own, becoming implacable. Rage begins to feed upon itself, creating an unstoppable force that sneers at injury, slowed only by death. While this spell is active, the caster chooses one type of damage (bashing, lethal, aggravated) and becomes immune to that damage type from mundane sources.  The host also never suffers Wound Penalties.
  • +1 Reach: The spell also inflicts incredible agony on the Target and they suffer wound penalties equal to the potency of the spell to a maximum of -6.  For another reach, the caster can feed on this pain, restoring Mana for each penalty die inflicted.
  • +2 Reach: For a Mana, the Hellfire can be pushed to extremes in order to unmake things that are supposed to be invincible.  Damage inflicted to objects is absolute and use the Structure exceeded with Aggravated damage the item is destroyed absolutely.  What is more, its impossible to repair or recover any part of the item that was unmade. 
  • Indestructible Artifacts, specifically weapons that were created in the Hellforge of the Inferno like the Shadowfang, can only be destroyed in this way. This also includes the the Denars that that were blacked by Hellfire to infuse them with the Archdemons. The Nameless Order known as the Order of Judas, specifically the Knights of the Blackened Denarius, bear thirty pieces of silver each possessed by these Archdemons. Supposedly these are the same coins that Judas received for betraying Jesus.  Most were lost in the battle in Sheol between the Horsemen Cabal and most of their active membership.

Risks:

  • Released Paradox causes Anomalies in the form of Malus Loci, a site of Desecration (see WoD: The Inferno), as part of the Burnout rules described above.
  • If Paradox is absorbed by Backlash causes Burnout (as covered above).  What cannot be taken as Resistant Lethal Damage applies a Bedlam or Branding Condition and inflicts the Open Condition on the caster instead of just the subject/target.  Manifestations will summon Infernals (Dominions) instead of Abyssals.
  • If used on or witnessed by someone who uses the Integrity advantage, they suffer an immediate Breaking Point with a penalty equal to the potency of the spell.  If someone loses Integrity this is like chum for demons, and they gain the Open Condition for Infernals.
  • The area where Hellfire is used and the caster gain the Resonant Condition with Infernal beings.  The target of the spell gains the Open Condition, making them susceptible to attack and possession by Infernal beings. 
  • Locations where Hellfire are used are considered a Malus Locus for the rest of the day.  Each time Hellfire is used in the same general area during that time the power increasing by one (they range 1-5 dots) and the duration of the Desecration site doubles.   It is very common for Infernal Whisperers to slip into Twilight from Hell and start searching for nearby hosts.  Ghosts, Spirits and Goetia active in this location are under increased risk of becoming corrupted and becoming Infernal Diaboli themselves, creating Larvals (ghosts), Immundi (shadow spirits) and Deceptors (Geotia).
Mix & Match:
It is possible to carefully deconstruct elements of Soulfire and Hellfire.  With Storyteller approval it may be possible to reduce a risk or cost in exchange for offering up a benefit or taking on different, more restrictive rules for limited uses of these deconstructed elements of Soulfire.  Without this, the costs of using both get very steep very fast.


    Balefire
    By Adding the Temporal Sympathy Attainment to the spell (Time 2), Hellfire is made into a nastier version: Balefire.  Balefire not only destroys the Pattern of a target but also its imprint on the world. When a target is struck with balefire, its thread in the Pattern is destroyed to include its recent history, in an amount proportional to the power of the balefire strike. This translates to both the target's existence, and actions up to a certain point, being retroactively erased.  In addition to the normal rules for Hellfire, anything destroyed by it, any action taken for the spell's duration don't happen and the past is rewritten.  In order for this to work the spell must successfully destroy the target: Agg damage filling all Health or Structure.






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